I always wondered why is there no consideration towards 70-200 f2.5, or 300 f2.5. If they went 135 f2 to 135 to 1.8, why not 70-200 f2.5? Why must it be a full stop for specific lenses?
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Vivitar series 1. They did wacky things like that.I always wondered why is there no consideration towards 70-200 f2.5, or 300 f2.5. If they went 135 f2 to 135 to 1.8, why not 70-200 f2.5? Why must it be a full stop for specific lenses?
I think the size of the 100-300 wouldn´t fit one of the main intended use cases of such a lens very well: the ultimate event style portrait lens. I don´t see many photographers carrying one of those around all day, especially not with a second body + lens for wider angles.Why wouldn't it? An RF 70-200mm f/2 would be almost identical in dimensions to the RF 100-300mm f/2.8 and could share many parts. The RF 100-300mm f/2.8 has an entrance pupil of 106mm (what I calculated) and a filter size of 112mm
You are right on the 180mm, I was only thinking about the Nikon 200mm f4 macro.Sigma had a 180mm f/2.8 macro and launched a version with OS just before they announced the global vision line.
They are hard to find on the second hand market in .nl, so I assume people are happy with them![]()
Sony have a 20-70mm lens.20mm is pretty much the flange distance, which complicates design.
Sticking to 24, but maybe extend to 120 seems easier to achieve.
After all, Nikon is successful in these.
While I used both systems side by side, I'd use that quite often
on the Nikons.
All of the EF-S primes were decent....how many \'decent\' Canon-branded EF-S lenses were made?
17-55 2.8 IS? Others? 15-85 3.5-5.6?
If past is prologue Canon will not manufacture all that many RF-S \'enthusiast\' lenses.
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FYI: I\'m having difficulty accessing the Forums here on CR. I hope it is just me?!
There are patents for 70-135 f/2 IS and 70-150 f/2 IS.I had first had that on the article, and then realized with a 100mm front element, that it's simply not ever going to happen.
which is why i changed it to be a 70-135mm
Get the Sigma.As an outdoor portrait photographer, I am dreaming of a RF 105mm F1.4. Bokeh, bokeh, and more bokeh.
The biggest issue I have with the 28-70 is the clicky AF noise.My hope is that Canon will keep up the good work on their lenses. The 28-70 2.0 is a great example of how it should be done. Some reviews end with con's like heavy and expensive, those lenses are the best.
No, the opposite.Sigma had a 180mm f/2.8 macro and launched a version with OS just before they announced the global vision line.
They are hard to find on the second hand market in .nl, so I assume people are happy with them![]()
YES PLEASE!RF 14mm F1.2L with excellent aberration control would have a lot of people jumping up and down
The corners do not seem any darker than the RF 50 f/1.2 L or RF 85 f/1.2 L.Wondering if they'll announce it with the R5II.
With the new 35mm VCM we learnt that "cutting corners" takes all it sense.
Hyperbole aside, the fact is that any wide angle, rectilinear lens must have the corners ‘stretched’. In film/DSLR days, the only way to do that was optically, and one need only look at the mushy corners of the EF 17-40/4L to know that optical correction of barrel distortion is not the ideal you seem to think.Halo lenses like a 1-100mm f0.1L are now possible now that Canon has mastered the art of digital yoga, stretching an image from apsc coverage+black corners into full frame.
It's cool to do stuff that no one has done before but please stop that bs please? Digital corrections are fine, until you go overboard in *cutting corners* with the optical design.
Maybe they could bring out a 24-105 f4 ii and take back all the mark 1 ones that are soft on the edge, that people had to pay good money for.EF-S 60mm is one sharp lens.