It seems to serve Sony just fine.Of course, manipulative BS only goes so far.
However, they are exceptional at it.
Upvote
0
It seems to serve Sony just fine.Of course, manipulative BS only goes so far.
Is it not that they do no deserve one.I don't understand why Canon acts like the only pro market is sports and journalism. It's like landscape, architecture, portrait, product or studio photography are somehow less pro, so they don't deserve a pro body.
Canon stated that they have improved the weather sealing on the R5 II.It has the same weather sealing as a camera that came out 22 years ago... and that's somehow suppose to prove Canon is taking care of that market segment?
Canon has a contract with Getty that they need to fulfill.I think someone very senior in Canon is pushing the journo agenda, the beancounters think that is profitable enough to allow.
They mean what they say they are.Beware of looking at an IP rating and assuming it means what you think. There are dozens of IP ratings for dust, drip. splash, submersion, pressure, etc. and they are all different numbers. make sure an IP rating covers the protection you are looking for. I have industrial devices (other than cameras) with fancy sounding IP ratings and the devices leak like a sieve in a windy rainstorm. When you look closely at the IP rating it is "drip proof", but does not cover sideways rain.
It is hard to say because they refuse to get them rated.IP52 is Protected from limited dust ingress.
hard to say that any of canon's cameras are not up to that.
The problem with medium format is the glass, the lack of lens options and the much higher cost. Some medium format shooters have moved back to full frame because of this. Otherwise you're rightFor high MP stills landscapes just buy into the Fuji GFX system. A 100 MP MF sensor will outperform a 100 MP FF sensor because of the larger pixel size. Done.
Megapixels is like computer memory, you can never have too much.For landscapes and architecture the 45 MP R5 Mk2 or R5 is an excellent choice. More than enough resolution and very portable.
For portrait, the 24 MP R1 is likely sufficient resolution. Are you making large portrait for clients?
For product and studio work, either R5 Mk2, R5 or R1 could suffice depending on print size produced. Of course, this all comes down to print size. If you are producing very large prints, I would recommend a digital medium format camera with 100 MP sensor for product and studio work.
Two questions come to mind: "At what cost?" and "What are the alternatives?"Megapixels is like computer memory, you can never have too much.
have you checked the seals on the R5 Mark II or are you just quibbling that it's a 5 series and not a 1 series?
also those cameras from 22 years ago (using your own words) were used in all sorts of environments - it's not as if that changed in the last 20 some odd years.
Also if you are using your camera in all those environments that you suggest, a smaller lighter camera is better anyways.
The 5D is not a prosumer body and it hasn't been for decades. it's a full mag alloy chassis with full weather sealing.
View attachment 218558
That's as extensive as a professional camera, and probably far better than you'd get from say... a sony.
of course, you don't have to take my word for it, even Canon says this:
MELVILLE, N.Y., July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II.
Is it not that they do no deserve one.
Would a pro body really serve them better?
If anything the GFX 100 II is less of a pro body than the GFX 100.
Although, I do know portrait photographers who constantly shoot in portrait mode and would prefer a built-in grip.
As anything with markets, it depends on, how many of them there are, how much they are willing to spend, whether Canon notices them, and whether that market would be profitable enough for Canon to serve.
Yes, they mean what they say, but many folks see an IP rating and assume it covers what they want it to cover without having read the definition or even having any idea that there are many different IP ratings.They mean what they say they are.
There are many of them.
We just need to know how to interpret them.
And the video capability of the 5D II came as a surprise to the pro video side of Canon as they were not involved at all in the development.Canon has a contract with Getty that they need to fulfill.
You do realize that the only reason Canon added video to the 5D II is because the "journos" requested it.
Where would Canon be without that?
it's about 5:1 according to our presale numbers. but it's always been this way, the 1 series was never a volume seller.Now, off the top of your head, what do you think how many R5 cameras are sold vs. R1 or R3? I'm certain that the R5 sales are several orders of magnitude higher than R3 or R1, so it's safe to assume that among those buyers, there is in fact a market for a professional full size body.
It really baffles me why people post things that, if they possessed a modicum of intelligence, they’d realize make them look foolosh. Off the top of my head, I’m certain that your suggestion is idiotic.Now, off the top of your head, what do you think how many R5 cameras are sold vs. R1 or R3? I'm certain that the R5 sales are several orders of magnitude higher than R3 or R1, so it's safe to assume that among those buyers, there is in fact a market for a professional full size body.
The market is likely to be smaller than you think:It would certainly serve me better.
I hate having to buy screw on grips for the R5, just as I hated buying screw on grips for the 5D series.
The issue I have with this is that Canon doesn't have anything to offer to this market, so how can we know? The sport shooters got their shiny toy. In fact they got two of them - R1 and R3. Everybody else is expected to settle for R5.
Now, off the top of your head, what do you think how many R5 cameras are sold vs. R1 or R3? I'm certain that the R5 sales are several orders of magnitude higher than R3 or R1, so it's safe to assume that among those buyers, there is in fact a market for a professional full size body.
I think Canon has yet to confirm that the M line is officially dead. It's dead, but did they ever say it?I'm late to the party, but just a thought on the off-hand remark the low-level staffer at a Canon USA event said to a Youtuber...
All the camera makers have shamelessly misled customers into thinking that existing lines would continue. It appears to be the default behavior. Some great stories from the past ten or so years. Canon's M series; Samsung's everything; Pentax; Nikon's action cam; and Sony's strange case. Sony was the one that wasn't exactly misleading when it said a line would continue. We just didn't realize for a while that what they meant by that was that they were going to just keep selling the old versions forever to stratify the pricing. Why would anyone ask a Japanese camera company if they were going to continue a line? I can't recall a time they've said no until well after it was already established that the line was dead.
I think Richard's extremely creative ideas for a renewed R3 are fantastic. Would by 2 of the hi-res versions immediately. More likely, it would be the global shutter test bed. But, if precedent holds, it'll just be dead for the next five years, and then a low-level, non-Japanese staffer will happen to mention to a nearby Youtuber that they don't intend to make any more versions.
Canon added all the M bodies to the list of discontinued products.I think Canon has yet to confirm that the M line is officially dead. It's dead, but did they ever say it?
Actually my point. They never went as far as saying the M line itself is dead, at least I couldn't find a quote anywhere. In fact they said the opposite just a few months prior to discontinuing everything. Maybe they would admit it now if asked?Canon added all the M bodies to the list of discontinued products.
![]()