AvTvM said:
Orangutan said:
More faulty logic: you are still assuming that video costs extra,
You got it wrong. I don't care in at all, how much it costs a camera maker to add video capability to a DSLR (it does cost something). ALL I am saying is, that camera makers should CHARGE more for dual purpose gear compared to single purpose gear.
They should sell all cameras in a video-enabled version and a video disabled version. Video disabled version at significantly lower price. Video-enabled version at much higher price, but still much lower than combined cost of a stills and a video camera. That would be fair. That way, those who clamour for additional usage and functionality in a camera that is NOT required by many (stills photographers) would be made to pay for their part of the ride.
I see where the motivation to hope for this comes from, but until the photo/video world is monopolized by Comcast, this would be purely idiotic for a company to try. Not to mention, your suggestion benefits no one including yourself (well maybe Canon, assuming all their competition with video DSLRs immediately dies out). The cost to add video is completely insignificant in comparison to the total price of a DSLR, and huge in terms of making it a more valuable product.
My theory is that there is ONE reason why "purists" shun new tech. I work with them every day. It's envy and inadequacy. Back in their day when gear was too expensive for a non "professional" and there were less variables put into what the final product would be, it was easier to stand out and receive compliments. One of my coworkers is 60+ and [was] a photographer. We also have younger designers who do photography. The old guy is constantly preaching, "its not about the camera, its about the photographer" , "its a camera, why do you need video", etc. Everyone is respectful, and everyone (if only out of respect) lets him assume his role as the photography "expert". But even looking down to the basics, everyone is better than him at simply taking well-framed, interesting shots—while old man Wither is reminiscing about the old days and how much better his hometown was than our city, we're working in the entire adobe suite, not just lightroom. Don't get me wrong, I love nice gear, but ALSO appreciate going back to basics. I'll leave my full frame at home and use my iphone if I think I'll be in a situation where it'll more likely get the photos I want and not need the ridiculous IQ of my 5D.
The fact is, you can still accomplish what you could with an old camera. Put that self discipline to work, practice what you preach, put your camera in M and frame some nice photos. Meanwhile, I'll be taking video with the same camera.
AvTvM said:
It's like going on a cruise ... passage in cabin with sea view does not cause (significantly) higher cost to the cruise company than passengers in a "inner" cabin. But the price charged is hugely different. Simply, because users of the outward cabin get extra functionality/pleasure.
This analogy might be half valid if each camera model were only a released with a predetermined, limited quantity, just like cruise tickets are sold.... in which case exclusivity would justify the price. Thats only touching the surface, but youre so far off here... it's not really worth going into economics 101.