As a cinematographer I would love ibis( and the ability to turn it off) as would many people I work with, especially with a cmos sensor.Most cinematographers don't want IBIS and will use a gimbal or other forms of devices/methods to stabilize footage. Plus most RF lens that you'd like use for this camera (with the main exception being the 28-70 F2) doesn't have IS on the lens.
Still an absolute steal for the price.. Makes me wonder if Nikon/RED knew of the release and price for the C80 and caused the prices to drop due to the features.
Ibis is not as big of a deal with a global shutter but with a cmos it would be great. Cinema is changing and someday I believe cinema cameras will ibis. The DJI cinema camera is awesome to work with, especially for action sports. I run 2 r3s mostly and they have pretty much replaced my c300mkiii and c70 for most jobs. Sure bigger jobs that require jamming and sdi it is great to have but the mirrorless cameras are changing so much of the cinema world. Sony and red really helped push this new evolution and canon is doing a pretty great job of catching up and helping push forward. I do hope people don’t run out and throw all their money into these new cameras and that they think about what they currently have and ask themselves will these tools make me a better creative? Anyway thanks for your comment and hopefully someone finds our dialogue useful
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