BH says it does. In video.I'm thinking that the R8 does not have IBIS
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BH says it does. In video.I'm thinking that the R8 does not have IBIS
Canon says it doesn’t.BH says it does. In video.
Yes, it supposedly has "sensor-shift" stabilisation in video only. As opposed to digital stabilisation.BH says it does. In video.
I will obviously believe Canon more than BH. Let me check further...Canon says it doesn’t.
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The online reviews say it doesn’t, e.g., PetaPixel, “The lack of image stabilization also means video shooters must carefully plan their shoots around either image-stabilized lenses or situations in which the camera can be locked down on a tripod or gimbal.”
Personally, I’d believe Canon. You can believe the spec list on a vendor website if you want.
Sensor-shift IBIS is achieved by physically moving the sensor to compensate for camera movement. Thus the full area of the sensor is used.I do not know the difference between sensor shift and digital stabilization. For me, as long as I get stabilization when I walk around with it, I am fine.If possible, could you tell me the difference between the two more than what the terms imply?
R50 + adaptor + 11-18mm = 375 + 110 + 240 = 725 gm
R8 + RF 24-50 = 460 + 210 = 670
So, I get a full-frame camera with IBIS and it weighs less than a crop setup. So the R8 seems like a better deal. Unless I am missing something.
Supposedly, according to who (besides one vendor website)?Yes, it supposedly has "sensor-shift" stabilisation in video only. As opposed to digital stabilisation.
That means no sensor-shift IS. Movie Digital IS uses a slightly cropped frame that ‘moves’ to compensate for camera motion.Canon says "Lens/Digital". Lens I understand. What is 'digital'? I think the plot thickens. There seems to be more to the story...
Exactly - hence my "It's possible that B&H have got their facts wrong, and the R8 *only* has digital stabilisation".Supposedly, according to who (besides one vendor website)?
I am sure that it says that but I am also sure it is wrong.Yes, it supposedly has "sensor-shift" stabilisation in video only. As opposed to digital stabilisation.
But according to dpreview, there is no IBIS for stills, which seems odd, only OIS.
This suggests to me that there is an IBIS unit in the R8, but that is is disabled in stills mode, presumably for product segmentation reasons.
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Digital stabilization crops into the image to keep it steady.Canon says "Lens/Digital". Lens I understand. What is 'digital'? I think the plot thickens. There seems to be more to the story...
R50 + RF 16 is a completely different field of view than R8 + RF 16.If you are looking for a light configuration, why not consider:
R50 + RF 16mm = 375+ 165 = 540 gm
or
R8 + RF 16mm = 460 +165 = 625 gm?
This way you have a lightweight set-up with an f2.8 full frame lens that can be used on full frame or crop.
But unlike sensor-shift, the digital IS will still show the original motion blur, which can point in a weird direction, like up when you’re panning the camera horizontally.That means no sensor-shift IS. Movie Digital IS uses a slightly cropped frame that ‘moves’ to compensate for camera motion.
I wish we could get what blackmagic and sony are doing: include gyro and accelerometer data in the video file so you can stabilize it in post using that telemetry.Digital stabilization crops into the image to keep it steady.
Obviously, it depends on the intended use and how much Sanj wants to keep the weight down. The 16mm yields ~25mm FOV on m50. About the same as the 24-50 at the wide end Sanj was considering on the R8. The EF-m 11-22 is heavier at 220gm, the RF is unlikely to be lighter when/if it shows up. The RF 15-30 is 390gm!R50 + RF 16 is a completely different field of view than R8 + RF 16.
I would go with R8 + RF 15-30 until an RF-S 11-22 comes out or adapt an EF 10-18 to the R50.