Yeah, I do not believe that one.30 fps mechanical will shake your fillings loose![]()
It won't be.I really, really hope that it isn't limited to 30 minutes of video shooting
The R1 will have no mechanical shutter.Yeah, I do not believe that one.
Maybe the R1.
Probably typo for 'electrical'?30 fps mechanical will shake your fillings loose
The biggest feature for me is support for flash when using ES, it would make a big difference for my macro shots and focus stacks.
Haha, you are basically doing the opposite of me. I use mechanical almost all the time, in some situations EFCS. I don't like the 12-bit files you get by using ES so I never use it. Maybe the R5II will improve on that.It might do 30fps in EFCS mode, but like you, I'm sceptical about that. On my R5 I only turned on EFCS when using flash, pretty much everything else was done using ES. I expect to stay below 1000 shutter actuations on the R5II for the first few years of using it![]()
I much prefer the electronic mode control, it's far faster to flick through modes C1-C3 using a dedicated assigned button, and you see which mode you are in through the viewfinder as you do it, though I know which mode I end up in from the number of presses.I like the video/photo model switch on the R6 II so that's great that the R5 II will have it. My next wish is for them to have the same top dial with c1, c2, and c3 like the R6 II instead of the screen. I think it will have a screen though since the R5 had a screen.
Eye thought you would be happy with this announcement!Is this still an upgrade, or rather a new camera?
Anyway, for me, the news of the decade!
Exactly what I've been looking for.
I too thought of the SL, SL 2/3, having used Leicaflexes SL , SL2, SL Mot., R 4 s2, R5, R6 II, R7 and still using M digitals. Yet, Leica SL's lens choice is still too limiting, and the SL's AF has no chance against EOS or similar.I’ll keep my RF lenses for the time being but I’ve migrated to 60mp Leica
I’m usually over ISO1600, the number of bits isn’t the limiting factor there. Photonstophotos can produce a nice plot that shows the point where ISO induced DR loss is more than 2 stops.Haha, you are basically doing the opposite of me. I use mechanical almost all the time, in some situations EFCS. I don't like the 12-bit files you get by using ES so I never use it. Maybe the R5II will improve on that.
If it has a stacked sensor, then probably. The R3 outputs 14-bit RAWs with electronic shutter. I use only ES on my R3, on my R8 I use only mechanical (EFCS).Haha, you are basically doing the opposite of me. I use mechanical almost all the time, in some situations EFCS. I don't like the 12-bit files you get by using ES so I never use it. Maybe the R5II will improve on that.
Yeah I've seen some of those designs as well, or another one which creates a pretty notable gap in the upright portion from the camera body so you can flip the screen out a little bit. I just really appreciate the simplicity of having the bracket stick close to the body and be static while not taking up a lot of extra space. I think a dual hinge screen structure, for me, would be the best solution, though I don't know how durable they have proven over the years. With that said, I'll take what I can get!One of my favorite things about the RRS L-bracket for the R3 is that it's the modular style, where the upright portion can be removed with a hex key that stores in the bracket (though TBH, I preferred the 1D X style where the hex key was in the base rather than the upright part). I usually leave the upright portion off unless I know I'll be shooting in portrait orientation from a tripod (e.g. panoramas).