Canon EOS R1 Spotted in the wild at the Monaco GP

SO freaking excited for this, my 100-300 2.8 is just waiting to get slapped on this bad boy. I certainly wouldn't have minded 30 or more MP but with the new CF express 4.0 standard and 24mp you'll be able to goddamn fall asleep on the shutter and not ever outrun the buffer.

Official release cannot come soon enough!!
Exactly!! I can't wait for this camera either. I am also anticipating the R5 Mk2 as well. Looks like a massive improvement over the R3 with more fps, deeper buffer, superior AF. I also would have like more MP even 28 instead of 24 would have been cool, but I understand Canon's decision to stick with 24 MP especially if it is a DGO sensor.
 
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After looking at the ergonomics and improved spec list of the R1, hard to imagine anyone paying over $3K for the R3. I\'m expecting a fire sale like no other for the R3 around Black Friday. Here Looking at you Canon Online store....
Not sure about a 'fire sale', but decent discounts on the R3, and also the R5 (assuming the R5 II is actually announced) could absolutely be a thing later in the year!
 
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If these specs hold true on the R1 (R3mkII), then I can't wait to see the R5mkII.
I would say the leap from the R5 to R5 mark II should be more significant than the R3 to R1.

The R3 that came out in 2021 had the best high ISO performance among the 24 MP sensors, excellent AF and the Eye-controlled AF, etc...

The R5 based on what was available in 2020, was a step behind the R3 so I'm expecting a giant leap forward in performance when it comes to the R5 II. Probably this thing will be backordered till the spring of 2025 with a price mark up to match.
 
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Well, sensor resolution is a very "digital" matter. You can get a microscope and count the pixels. It can resolve images with that resolution, and as far as I know near perfect contrast.
(...)
Thanks for sharing your perspective, you make a lot of valid points one can only agree with, especially the necessary matching of the sensor to the lens. I enjoyed reading your insights.
 
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It won't be seen as "corrupt", it'll be seen as "unsupported".
Although the error message doesn't really matter in practice. You won't be able to use raw files from R1 or R5II with ACR until those cameras as have been supported by Adobe.
I recall being able to use R5 raw files in LR before ACR was updated. Wasn't it just not having a profile added ie you can add your own profile or edit from the raw file?
Converting to DNG was also an option I think but it was 4 years ago
 
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I recall being able to use R5 raw files in LR before ACR was updated. Wasn't it just not having a profile added ie you can add your own profile or edit from the raw file?
Converting to DNG was also an option I think but it was 4 years ago
Adobe added support for the R5's CR3 files pretty fast, but it took them about a year to add camera-specific colour profiles. I was using profiles from ColorFidelity as far as I remember.
 
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SO freaking excited for this, my 100-300 2.8 is just waiting to get slapped on this bad boy. I certainly wouldn't have minded 30 or more MP but with the new CF express 4.0 standard and 24mp you'll be able to goddamn fall asleep on the shutter and not ever outrun the buffer.

Official release cannot come soon enough!!
The R3 already has a big buffer... at least for the CFe card and not the UHS-ii card
https://www.the-digital-picture.com/Reviews/Canon-EOS-R3.aspx#FrameRate,BufferDepth,Shutter
Depending on how well the pre-shutter is implemented, that's already a lot of depth and even more if cRAW is used.
The R1 will have a bigger buffer of course but also dual CFe so not delays from different card slots. I'm also sure that the internal bus will be faster than the R5's Digic processor

The R5 current limitation is the bus speed and not CFe sustained write speed which is already ~1.5GB/s for the good ones.
 
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That's why source links exist.

Claimed Z9 readout speeds are all over the place and the R5 is nowhere near that.

In regards to the Z9, lots of shooters have had issues with rolling shutter and stills.

If you look at rolling shutter for video from CineD (transparent testing methodology), both the Z9 (14.5ms) are R5 (15.5ms) are well behind the R3 (9.5ms). The Sony A1 sits at 8.1ms.

There is no database of legitimate testing of stills readout speeds that I have come across. Please let me know if you have found one.
I care for stills. I hope the numbers for R1 and R5MKII will be good.
 
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I care for stills. I hope the numbers for R1 and R5MKII will be good.
I'm doing 80% landscape photography and 20% action. My R5 has been doing very well with some caveats.

The rumoured specs for the R5II don't tick the boxes for me yet. A 16-bit readout and therefore high dynamic range might be very interesting but it's a pure speculation at the moment. Apart from that, the R5II looks like a largely incremental update (again according to the most recent rumours from this site). AF improvements are not enough for me to put a preorder.

There are hidden tick-boxes that might convince me. For example, if Canon addresses the hot pixels problem. The hot pixels are a real disaster when shooting long exposures with the R5. But Canon will never tell us in a press-release that they've eliminated hot pixels. We will only know that after the release.
 
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There are hidden tick-boxes that might convince me. For example, if Canon addresses the hot pixels problem. The hot pixels are a real disaster when shooting long exposures with the R5. But Canon will never tell us in a press-release that they've eliminated hot pixels. We will only know that after the release.
I haven't seen any problems with hot pixels and I do a fair bit of long exposures eg 2 minute tracked astro. I think that LR does get rid of them automatically (I assume it does)!.
 
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I haven't seen any problems with hot pixels and I do a fair bit of long exposures eg 2 minute tracked astro. I think that LR does get rid of them automatically (I assume it does)!.
A crop of my recent long exposure - 90 seconds. And that's with long exposure noise reduction (LENR) enabled. The hot pixels pop as soon as you lift the shadows a bit.
LENR reduces the issue, without it the image would've been much worse. But LENR doubles the exposure time because it takes a second dark frame of the same duration after the normal exposure. That means I have to wait 3 minutes instead of 1.5 and the camera is completely locked during this period. So I'm losing precious time during sunset/sunrise.

In Lightroom, Detail->AI Denoise further reduces the problem but even after that I get multiple hot pixels left for manual cleaning.

1716874583128.png

Another crop, 20s exposure without LENR. Because it's shorter, there's less hot pixels but they're pretty thick.
1716875408518.png

Generally the hot pixels start popping in exposures longer than 0.5 seconds. Also I feel there's less hot pixels when the air is cooler, which makes sense.
 
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Maybe you - and other wildlife photographers are not the target market. Maybe Canon thinks you - and all those others who want 45 MP - are smart enough to understand that THEY OFFER A PRO LEVEL 45 MP CAMERA. So why should the R1 match the Z9 in MPs if the R5 and rumored R5 II can match the Z9? The idea that all the top level cameras should be the same MPs is stupid, in my opinion. They serve different target markets, they excel in different things. Therefore different MP counts. Is that really so hard to understand?
I wouldn’t call the R5 a pro level camera for wildlife. The files look terrible in electronic shutter because of the drop in bit rate and you lose accurate tracking if using mechanical shutter. If you are going to track fast action in low light it really doesn’t help.
The files are also softer when using mechanical in burst because of the shutter shock. The rolling shutter on the electronic shutter makes its unusable for fast panning and fast wildlife (think song birds in flight). But what do I know, I have only shot with the R5 and R3 since they day of release.
 
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I wouldn’t call the R5 a pro level camera for wildlife. The files look terrible in electronic shutter because of the drop in bit rate and you lose accurate tracking if using mechanical shutter. If you are going to track fast action in low light it really doesn’t help.
The files are also softer when using mechanical in burst because of the shutter shock. The rolling shutter on the electronic shutter makes its unusable for fast panning and fast wildlife (think song birds in flight). But what do I know, I have only shot with the R5 and R3 since they day of release.

You make a lot of good points, the biggest upgrade the R5 2 needs to nail is the sensor readout.

I shot some American football in electronic shutter and it turned the football into a volleyball. I found it amusing.

The files from the R3 also blow it away.
 
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I haven't seen any problems with hot pixels and I do a fair bit of long exposures eg 2 minute tracked astro. I think that LR does get rid of them automatically (I assume it does)!.
Yes, Lightroom does automatically map out all the hot pixels it can find but with more difficult background structures in the image it sometimes struggles.

That means I have to wait 3 minutes instead of 1.5 and the camera is completely locked during this period. So I'm losing precious time during sunset/sunrise.

One trick I use for astrophotography is to deactive LENR and take the dark-images later on manually (covering the lens/mount) and subtract them from the image in post. Then you can maximize your time in the field. The only important thing is to use the same settings (exposure time & ISO) and get them roughly temperature matched. Fortunately, Canon includes the sensor temperature in the EXIF data so you can select the matching ones very easy.

Generally the hot pixels start popping in exposures longer than 0.5 seconds. Also I feel there's less hot pixels when the air is cooler, which makes sense.
Both the longer exposure as well as the sensor temperature increase the amount of hot pixels.
That's why the more advanced astro cameras usually have a cooling system to cool them below ambient temperature and to precisely control the temperature to ensure perfectly matched dark-frames. Also this may be a reason why the R5 struggles a bit more, since the heat dissapation is reduced due to the IBIS.

However, this means that with every improvment in the heat dissapation (which is part of the rumors for the R5II), this will also improve the number of hot pixels even if that's not officially stated.
 
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I wouldn’t call the R5 a pro level camera for wildlife. The files look terrible in electronic shutter because of the drop in bit rate and you lose accurate tracking if using mechanical shutter. If you are going to track fast action in low light it really doesn’t help.
The files are also softer when using mechanical in burst because of the shutter shock. The rolling shutter on the electronic shutter makes its unusable for fast panning and fast wildlife (think song birds in flight). But what do I know, I have only shot with the R5 and R3 since they day of release.
Really? I guess I need to refund all of my customers who purchased images shot with the R5 (and can you believe it adapted EF lenses?) and return the prize money too. I'll have to pay interest to those who bought the ES images as well. Now, I won't have any coin to consider purchasing a R1 or R5mkII. What is one to do?
 
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Really? I guess I need to refund all of my customers who purchased images shot with the R5 (and can you believe it adapted EF lenses?) and return the prize money too. I'll have to pay interest to those who bought the ES images as well. Now, I won't have any coin to consider purchasing a R1 or R5mkII. What is one to do?
Just because people like your work (and congratulation) doesn't invalidate the technical points. A blurry shot of a pygmy albino hippopotamus doing the handstands taken on a gameboy camera will always be more interesting than a crystal clear photo of a brick shot on a phase one. I don't see your point on adapted EF lenses but that's irrelevant. But I don't think you are here to have a constructive discussion!
 
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