Exactly!! I can't wait for this camera either. I am also anticipating the R5 Mk2 as well. Looks like a massive improvement over the R3 with more fps, deeper buffer, superior AF. I also would have like more MP even 28 instead of 24 would have been cool, but I understand Canon's decision to stick with 24 MP especially if it is a DGO sensor.SO freaking excited for this, my 100-300 2.8 is just waiting to get slapped on this bad boy. I certainly wouldn't have minded 30 or more MP but with the new CF express 4.0 standard and 24mp you'll be able to goddamn fall asleep on the shutter and not ever outrun the buffer.
Official release cannot come soon enough!!
Not sure about a 'fire sale', but decent discounts on the R3, and also the R5 (assuming the R5 II is actually announced) could absolutely be a thing later in the year!After looking at the ergonomics and improved spec list of the R1, hard to imagine anyone paying over $3K for the R3. I\'m expecting a fire sale like no other for the R3 around Black Friday. Here Looking at you Canon Online store....
I would say the leap from the R5 to R5 mark II should be more significant than the R3 to R1.If these specs hold true on the R1 (R3mkII), then I can't wait to see the R5mkII.
Thanks for sharing your perspective, you make a lot of valid points one can only agree with, especially the necessary matching of the sensor to the lens. I enjoyed reading your insights.Well, sensor resolution is a very "digital" matter. You can get a microscope and count the pixels. It can resolve images with that resolution, and as far as I know near perfect contrast.
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interesting. maybe a newer card will help some of my overheating problems.The newer cards reportedly run a lot cooler than the 2020 vintage of cards.
16 bit stills will still be a highlight on a spec sheet. Sony is the master of it but the devil is all in the details with lots of asterisksYeah the 16 bit piece is what has my attention more than anything else in the rumour. If that's legit and makes its way to the R5II, that could be pretty compelling!
remember that the R1 will have 2 cards though. A bigger body will help dissipate heat much better than the R5 thoughinteresting. maybe a newer card will help some of my overheating problems.
I recall being able to use R5 raw files in LR before ACR was updated. Wasn't it just not having a profile added ie you can add your own profile or edit from the raw file?It won't be seen as "corrupt", it'll be seen as "unsupported".
Although the error message doesn't really matter in practice. You won't be able to use raw files from R1 or R5II with ACR until those cameras as have been supported by Adobe.
Adobe added support for the R5's CR3 files pretty fast, but it took them about a year to add camera-specific colour profiles. I was using profiles from ColorFidelity as far as I remember.I recall being able to use R5 raw files in LR before ACR was updated. Wasn't it just not having a profile added ie you can add your own profile or edit from the raw file?
Converting to DNG was also an option I think but it was 4 years ago
The R3 already has a big buffer... at least for the CFe card and not the UHS-ii cardSO freaking excited for this, my 100-300 2.8 is just waiting to get slapped on this bad boy. I certainly wouldn't have minded 30 or more MP but with the new CF express 4.0 standard and 24mp you'll be able to goddamn fall asleep on the shutter and not ever outrun the buffer.
Official release cannot come soon enough!!
I care for stills. I hope the numbers for R1 and R5MKII will be good.That's why source links exist.
Claimed Z9 readout speeds are all over the place and the R5 is nowhere near that.
In regards to the Z9, lots of shooters have had issues with rolling shutter and stills.
If you look at rolling shutter for video from CineD (transparent testing methodology), both the Z9 (14.5ms) are R5 (15.5ms) are well behind the R3 (9.5ms). The Sony A1 sits at 8.1ms.
There is no database of legitimate testing of stills readout speeds that I have come across. Please let me know if you have found one.
I'm doing 80% landscape photography and 20% action. My R5 has been doing very well with some caveats.I care for stills. I hope the numbers for R1 and R5MKII will be good.
I haven't seen any problems with hot pixels and I do a fair bit of long exposures eg 2 minute tracked astro. I think that LR does get rid of them automatically (I assume it does)!.There are hidden tick-boxes that might convince me. For example, if Canon addresses the hot pixels problem. The hot pixels are a real disaster when shooting long exposures with the R5. But Canon will never tell us in a press-release that they've eliminated hot pixels. We will only know that after the release.
A crop of my recent long exposure - 90 seconds. And that's with long exposure noise reduction (LENR) enabled. The hot pixels pop as soon as you lift the shadows a bit.I haven't seen any problems with hot pixels and I do a fair bit of long exposures eg 2 minute tracked astro. I think that LR does get rid of them automatically (I assume it does)!.
I wouldn’t call the R5 a pro level camera for wildlife. The files look terrible in electronic shutter because of the drop in bit rate and you lose accurate tracking if using mechanical shutter. If you are going to track fast action in low light it really doesn’t help.Maybe you - and other wildlife photographers are not the target market. Maybe Canon thinks you - and all those others who want 45 MP - are smart enough to understand that THEY OFFER A PRO LEVEL 45 MP CAMERA. So why should the R1 match the Z9 in MPs if the R5 and rumored R5 II can match the Z9? The idea that all the top level cameras should be the same MPs is stupid, in my opinion. They serve different target markets, they excel in different things. Therefore different MP counts. Is that really so hard to understand?
I wouldn’t call the R5 a pro level camera for wildlife. The files look terrible in electronic shutter because of the drop in bit rate and you lose accurate tracking if using mechanical shutter. If you are going to track fast action in low light it really doesn’t help.
The files are also softer when using mechanical in burst because of the shutter shock. The rolling shutter on the electronic shutter makes its unusable for fast panning and fast wildlife (think song birds in flight). But what do I know, I have only shot with the R5 and R3 since they day of release.
Yes, Lightroom does automatically map out all the hot pixels it can find but with more difficult background structures in the image it sometimes struggles.I haven't seen any problems with hot pixels and I do a fair bit of long exposures eg 2 minute tracked astro. I think that LR does get rid of them automatically (I assume it does)!.
That means I have to wait 3 minutes instead of 1.5 and the camera is completely locked during this period. So I'm losing precious time during sunset/sunrise.
Both the longer exposure as well as the sensor temperature increase the amount of hot pixels.Generally the hot pixels start popping in exposures longer than 0.5 seconds. Also I feel there's less hot pixels when the air is cooler, which makes sense.
Really? I guess I need to refund all of my customers who purchased images shot with the R5 (and can you believe it adapted EF lenses?) and return the prize money too. I'll have to pay interest to those who bought the ES images as well. Now, I won't have any coin to consider purchasing a R1 or R5mkII. What is one to do?I wouldn’t call the R5 a pro level camera for wildlife. The files look terrible in electronic shutter because of the drop in bit rate and you lose accurate tracking if using mechanical shutter. If you are going to track fast action in low light it really doesn’t help.
The files are also softer when using mechanical in burst because of the shutter shock. The rolling shutter on the electronic shutter makes its unusable for fast panning and fast wildlife (think song birds in flight). But what do I know, I have only shot with the R5 and R3 since they day of release.
Just because people like your work (and congratulation) doesn't invalidate the technical points. A blurry shot of a pygmy albino hippopotamus doing the handstands taken on a gameboy camera will always be more interesting than a crystal clear photo of a brick shot on a phase one. I don't see your point on adapted EF lenses but that's irrelevant. But I don't think you are here to have a constructive discussion!Really? I guess I need to refund all of my customers who purchased images shot with the R5 (and can you believe it adapted EF lenses?) and return the prize money too. I'll have to pay interest to those who bought the ES images as well. Now, I won't have any coin to consider purchasing a R1 or R5mkII. What is one to do?