Ever tried holding one for any length of time? Awful cameras to shoot with, ergonomics wise. Fundamental flaw.an A1/A1II would probably be idea
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Ever tried holding one for any length of time? Awful cameras to shoot with, ergonomics wise. Fundamental flaw.an A1/A1II would probably be idea
Actually I was the same. The size always put me off 1 series cameras. But the speed and low light performance is what tipped me into buying the R1. I had never considered a larger style body before as that wasn’t for me. In reality, it is so much more comfortable to shoot with, doesn’t feel very different weight wise (although coming from 5div).As much as I like to pretend that the R3/R1 formfactor is not for me, the price is the real gating factor in my case. The R5 is as large a camera that I can tolerate, which is the deciding factor, but if it wasn't, the price would prevent me from getting it![]()
I have a 1D, which handles great but is HUGE if you want to bring it somewhere.Actually I was the same. The size always put me off 1 series cameras. But the speed and low light performance is what tipped me into buying the R1. I had never considered a larger style body before as that wasn’t for me. In reality, it is so much more comfortable to shoot with, doesn’t feel very different weight wise (although coming from 5div).
It’s a factor I would thought I would need to get used to or get over, but in fact it’s turned out to be a massive benefit.
Mines for work so I didn’t consider taking it somewhere in that way. Yeah you’re right then in that case!I have a 1D, which handles great but is HUGE if you want to bring it somewhere.
I’d guess the R6 outsells the R5 many times over simply because of price.Pretty sure the R6 is a big seller too, then we’re back down to 24mp but we’re reducing the price again.
Complete hobbyist here, so the ratio between camera and snacks in my bag is a big deciding factor, especially when the kids come along.Mines for work so I didn’t consider taking it somewhere in that way. Yeah you’re right then in that case!
Exactly my point. MP are only a secondary consideration for many people. So the previous post I was replying to insinuating that the R5 outsells the R1 and R3 due to MP count isn’t necessarily a tangible metric when the bodies are many thousands cheaper.T
I’d guess the R6 outsells the R5 many times over simply because of price.
Haha I feel you!Complete hobbyist here, so the ratio between camera and snacks in my bag is a big deciding factor, especially when the kids come along.
Depending on the specific model phone, he'd refuse someone with a Hasselblad X*D or Fuji GFX as well!Earlier today, I had some guy refusing my services when he found out the equipment I use. He told me that his Samsung phone had 4 x the mp count as my camera, and that he wasn’t going to pay my ‘exorbitant’ prices for using a ‘worse’ camera.
It’s the converse for me. I used my T1i/500D, 7D and 5DII with a battery grip. When I got the 1D X, I found it far more comfortable to hold than the accessory-gripped bodies.As much as I like to pretend that the R3/R1 formfactor is not for me, the price is the real gating factor in my case. The R5 is as large a camera that I can tolerate, which is the deciding factor, but if it wasn't, the price would prevent me from getting it![]()
That guy sounds like a perfect customer to not have.Earlier today, I had some guy refusing my services when he found out the equipment I use. He told me that his Samsung phone had 4 x the mp count as my camera, and that he wasn’t going to pay my ‘exorbitant’ prices for using a ‘worse’ camera.
Evidently you think so. It seems like a very reasonable inference they could have done it with a 45 MP camera that shoots 30 fps (as the R5II does) instead of 40 fps but is otherwise basically the same as the R1. But they didn't do that.Which sort of begs the question: if Canon could, right now, build and sell a higher-resolution R-whatever, with exactly the same features, specifications and reliability as today's R1, don't you think they would do that?
I do. And they'd sell a boat-load of them.
YepThat guy sounds like a perfect customer to not have.
Well yeah - if they could make the r1 as it is now or better with more mp, then yeah. They seemingly can’t though. Which is the point I think. If more mp can come to the r series at some point without losing the speed and everything else then obviously that’s great. But whacking more mp to make it sound better but is actually worse at what is designed to be seems to be what people are clamouring for. Which is what I, for example, would never want to see.From the article:
"If you want a camera to excel at autofocus, calculations, and delivering the highest level of performance, that makes you balance resolution against the raw performance of the camera. You can’t have both simultaneously – at least for Canon."
I like this.
Which sort of begs the question: if Canon could, right now, build and sell a higher-resolution R-whatever, with exactly the same features, specifications and reliability as today's R1, don't you think they would do that?
I do. And they'd sell a boat-load of them.
I tried sony twice back when it was the first 60Mp?, an A7r 3 or 4 ? . Awful is accurate. I had it alongside the 5DsR and shot a couple jobs on both to compare the whole workflow.Ever tried holding one for any length of time? Awful cameras to shoot with, ergonomics wise. Fundamental flaw.
Right? I mean I have done long ish shoots with several Sony bodies, not only is the normal wrist ache somehow worse, they manage to make the fingers ache too. My shoulder and back ache from some kind of transferred pain was at the very least thrice as bad as it is with a 5div, and that’s already pretty hardcore after a big shoot. That’s not even mentioning the ridiculous menu and button organisation - although I admit that’s probably me being so used to shooting canon for years.I tried sony twice back when it was the first 60Mp?, an A7r 3 or 4 ? . Awful is accurate. I had it alongside the 5DsR and shot a couple jobs on both to compare the whole workflow.
The Fuji gfx is no better but I only use it for the work that warrants the 100Mp and angle of view with shift lenses, otherwise it's equally bad or worse actually.
Nice to see people put their money where their need is. People complain that 24 or 45 MP aren’t enough but somehow 60 MP is perfect. IMO, if 24 or 45 don’t cut it for you, then you should be using at least the 100 MP GFX if not the 150 MP Phase One.The Fuji gfx is no better but I only use it for the work that warrants the 100Mp and angle of view with shift lenses, otherwise it's equally bad or worse actually.
And for my uses, I only bought it for 99% tripod work so the hand ergonomics weren't even the deciding factor, it was all the rest of it which I just didn't like at all.Right? I mean I have done long ish shoots with several Sony bodies, not only is the normal wrist ache somehow worse, they manage to make the fingers ache too. My shoulder and back ache from some kind of transferred pain was at the very least thrice as bad as it is with a 5div, and that’s already pretty hardcore after a big shoot. That’s not even mentioning the ridiculous menu and button organisation - although I admit that’s probably me being so used to shooting canon for years.
I tried sony twice back when it was the first 60Mp?, an A7r 3 or 4 ? . Awful is accurate.
Some reviews of the A9 III (the global shutter one) last year praised it for finally improving the ergonomics and making it more human. I have no experience with it though.Right? I mean I have done long ish shoots with several Sony bodies, not only is the normal wrist ache somehow worse, they manage to make the fingers ache too.
I don't think Canon's menus are great either. Aside from being fairly consistent over the years, some things are illogically placed, some are annoying (You can't do X when Y is set somewhere totally different) and the mislabeled "Enable"/"Enabled" options are comical.That’s not even mentioning the ridiculous menu and button organisation - although I admit that’s probably me being so used to shooting canon for years.